Category: Music

  • Why Haven’t You Heard This Band?

    (JUS POST BELLUM)

    Jus Post Bellum

    The Brooklyn band Jus Post Bellum loves the Civil War more than most. They write sincere songs about John Wilkes Booth, cotton gins, sons of sharecroppers, Stonewall Jackson, and Confederate clarions, all with a passionate immediacy that conjures Colin Meloy at his best.

    Timeless songs for these fast, forgetful times.

    Jus Post Bellum

    They compose their dusty folk songs in multiple movements in the fashion of your favorite Fleet Foxes tunes, and I would put them in league with any of your favorite singer/songwriter, indie folk troupes without hesitation.

    If you don’t believe me, you can ask my six year old daughter. She knows several of their songs by heart and enjoys them heartily. Wait, actually you can’t ask her,  that would be inappropriate.

    Their sophomore album, Oh July, will be out soon, but their fantastic debut LP, Devil’s Winter, has been out for some time now.

    So check them out already, will ya?

    Jus Post Bellum

  • Jason Molina Dies at 39

    “Being in love means you are completely broken, then put back together. The one piece that was yours is beating in your lover’s breast. She says the same thing about hers.”

    – Jason Molina (1973-2013)

    Dear Jason,

    It is hard to put into words what your music has meant to me over the years. I discovered you in 2000, and shortly after listening to Ghost Tropic, I knew I had found a kindred, damaged soul from the cold shores of the Great Lakes. I have watched you play tiny venues in Chicago, exchanged head nods with you near the side exit, and listened in awe to your words on stage, in my car, in my bedroom, on my computer, in the shower, and in my head. Over and again.

    “You’ll never hear me talk about one day getting out. Why put a new address on the same old loneliness?”

    All I can say is that your final act on this Earth was a sad one. Your tragic end is only made more tragic by how few people have been exposed to your work. In a world where we objectify and make a mockery of artists like Amy Winehouse, it is easy to forget the dangers of substance abuse in our fast times.

    But there is pain, and then there is pain. I do not pretend to know the struggles you had suffered in life, but in many ways, you channeled that grief directly through your music, and it resonates in that black pit which lives inside each of us. That electric blanket of misery so tempting to cozy up with and get lost beneath.

    “I lived low enough that the moon wouldn’t waste its light on me. What’s left in this life that would do the same for me?”

    You are this generation’s Neil Young, our Leonard Cohen; with the pen, with your voice, and through your achingly honest tenor guitar. For those who have not heard your music, I urge them to begin now. Your catalog is staggering. There is not a more prolific musician of quality writing who has performed over the past fifteen years.

    Selfishly, I wish you were still here to bless us with more material, to break our hearts and put them back together again. Selflessly, I thank you for your contributions not only to music, but in offering a therapeutic ‘thing’ which can be listened to, taken to heart, learned from, and made better by.

    “Arrow find my chestnut heart, a shadow for conjuring. Big black eyes to hide my secrets in, and the map of the old horizon.”

    You will be missed, Jason Molina.

    Sincerely,

    A Fan

     

  • Top 5 Female Vocalists

    (ANGELIC IN VOICE AND IN SPIRIT)

    5. Victoria Legrand

    Victoria Legrand

    Words like haunting, husky, and ethereal are fine ways of describing Beach House’s Victoria Legrand’s vocals. But her raspy range can soar, especially when accompanied by the seductive arrangements of her backing band. Legrand continues to put out albums and songs that showcase her beautiful, hoarse, angelic voice, and we continue to enjoy them.

    4. Kate Bush

    Kate Bush

    While it’s true that Kate Bush may be most well-known today for her single “This Woman’s Work,” (courtesy John Hughes and American Idol), Kate Bush has put out nearly ten LP’s featuring that strange, glassy voice, and has been recording music since 1975 (two years before I was born). After a life break, she is back with a new album and proof that the greatest gifts age well with time.

    3. Mimi Parker

    Mimi Parker

    It’s chilly in Duluth, MN. But upon the icy shores of Lake Superior was borne the chilling falsetto of Mimi Parker, one half of the two-headed mastermind that is known as Low. Check out this clip if you would like to hear what it sounds like to actually freeze the sun.

    2. Lisa Gerrard

    Lisa Gerrard

    Lisa Gerrard, Australian by way of Ireland, conceived of her band Dead Can Dance with English songwriter Brendan Perry back in 1981. She has amassed an outstanding catalog of solo and collaborative work as well, and chances are that you’ve heard her music in some of your favorite films (Heat, Black Hawk Down, The Insider, The Passion of the Christ, Man on Fire, to name a few). Her voice is an elegant, other-worldly contralto that is hard to describe with words. Better to just listen, and enjoy.

    http://www.youtube.com/watch?v=1xpkRj99FH0&w=500&h=300

    1. Elizabeth Fraser

    Elizabeth Fraser

    Without question one of the most special vocalists of this or any era. Her falsetto is unique unto itself and brimming with a magical trill that sends shivers up your spine. Her work with Cocteau Twins has produced some of the most mesmerizing and distinctive music ever made. In a sense, her band epitomized the 4AD sound throughout the bulk of the 1990’s.

  • Bon Iver at AIR Studios

    An arresting set of music. Enjoy.

  • Halloween by Liftingfaces

    Halloween by Liftingfaces

    Nineteen songs; varying shades of Haloweenness. You will find a range of styles here (yes, including Salem), but you will not find “Monster Mash”, sorry. Nor will there will be any Kanye West (sorry “Monster” fans), but there is one rap verse.

    Enjoy, if you dare.

    01. This Mortal Coil “Fire Brothers” (1986)
    02. Glass Candy “Halloween” (2011)
    03. The Black Angels “Young Dead Men” (2006)
    04. Patsy Cline “Sweet Dreams” (1963)
    05. Timber Timbre “Lay Down in the Tall Grass” (2009)
    06. Buck 65 “Blood Pt. 2” (2009)
    07. This Mortal Coil “Meniscus” (1986)
    08. Lana Del Rey “Kinda Outta Luck” (2011)
    09. Chrysta Bell “Real Love” (2011)
    10. Ween “Mutilated Lips” (1997)
    11. CocoRosie “Hopscotch” (2010)
    12. Salem “King Night” (2010)
    13. Beach House “The Arrangement” (2010)
    14. Charlie Feathers “Can’t Hardly Stand It” (1948)
    15. Dead Can Dance “The Ubiquitous Mr. Lovegrove” (1993)
    16. Dead Man’s Bones “My Body’s a Zombie for You” (2009)
    17. David Lynch “Pinky’s Dream” (2011)
    18. Brenda Lee “I’m Sorry” (1960)
    19. Angelo Badalamenti “Twin Peaks Theme” (2000)

    Download Mixtape.

  • Olafur Arnalds “Living Room Songs”

    Living Room Songs

    Similar to his Found Songs LP from 2009, Ólafur Arnalds has released Living Room Songs, a project recorded over the course of one week from the bedroom of his Reykjavík apartment, and released for free as each song was finished.

    This time, however, he included videos of each recording to accompany the music. The album will be packaged and released in high-quality form later this year. You can pre-order it here, and receive a free postcard.

    Enjoy the album on his website, and have a look at the genesis of these beautiful compositions below…

    Day 1 “Fyrsta”

    Day 2 “Near Light”

    Day 3 “Film Credits”

    Day 4 “Tomorrow’s Song”

    Day 5 “Ágúst”

    Day 6 “Lag Fyrir Ömmu”

    Day 7 “This Place is a Shelter”

  • Matthew Herbert “One Pig”

    One Pig

    On October 10, 2011, Matthew Herbert will release his latest LP entitled “One Pig.” According to his label’s website, it is an album “made entirely from recordings of a modern pig’s life cycle from birth to plate.”

    I was intrigued with the concept on a number of levels, so decided to give a listen to the meaning behind the project.

    I left the video not wholly convinced of his motives. I think Matthew is purposefully standing in the gray area of the matter, and it’s a win/win for him in this case.

    One one hand, he has an easy out as an artist to say he is simply observing and presenting his emotional reaction to a realism he has no control over. Editorially he gets to present the life cycle of a food product typically very distant from its consumers.

    On the other hand, however, he is also sensationalizing the process to a degree. Even if his money is going to charity (not sure whether it is), having an EP of Micachu remixes crop up as a PR strategy suddenly turns an austere, introspective set of field recordings into a flavor of the month musical romp through the inevitable pipeline of hipsterdom.

    Here is an iTunes link where you can preview the album and preorder if you can unearth the beauty beneath its grating tone:

    Preview Album.

    One Pig

  • Cass McCombs’ “County Line”

    Cass McCombs’ album “Wit’s End,” came out back in April, and it’s been a slow burn for me. My apathy had nothing to do with how laid back, quiet, reserved and melancholic it was, because I rather like all of those qualities in an album. I think it may have been the general coating of malaise spread over top of everything, a suffocating feeling like sleeping with a garbage bag for a blanket.

    However, in returning to the album a couple of months later—and a couple of months wiser—I now find beauty in the despondence, comfort in its distance. And the above video for lead track and single, “County Line,” expresses that tone perfectly. What I first construed as depressed alienation I now embrace as the echo of a comforting voice across a windless field.

    I intend to wrap myself up in this album for a little while, and see how it fits. The good news is that it’s not a garbage bag for a blanket after all, more like a coarse but cozy wool. Hard to sell that to you as Summer breathes down our neck, but the nights can get chilly.

  • Creep On Creepin’ On

    Timber Timbre are back on April 5, 2011. I was a big fan of their self-titled debut, and hope the trend of macabre folk creations continues.

    It also look like they’re coming to a town near you, so if you haven’t heard them live, or at all for that matter, get out from under your dusty blankets and go!

  • The Indie Music Alphabet! – 2010 Edition

    I’ve decided against my lesser judgment to omit letter-by-letter descriptions, because honestly, this is all about the music. I’m not trying to give you color commentary here, people. The list is a little late in the month, but better late than never.

    I’m sure some of you will agree with certain letters, disagree with others, and hopefully have not heard of a few of these bands. It was a great year for music, and unexpected letters ran deep, making the selection hard in places (the letter “W” for example).

    So, Merry Christmas, and enjoy the list!

    Indie Rock Alphabet

    Arcade Fire – Mp3


    Indie Rock Alphabet

    Beach House – Mp3


    Indie Rock Alphabet

    Clogs – Mp3


    Indie Rock Alphabet

    Deerhunter – Mp3


    Indie Rock Alphabet

    Karen Elson – Mp3


    Indie Rock Alphabet

    Fang Island – Mp3


    Indie Rock Alphabet

    Gayngs – Mp3


    Indie Rock Alphabet

    Hot Chip – Mp3


    Indie Rock Alphabet

    Interpol – Mp3


    Indie Rock Alphabet

    Jónsi – Mp3


    Indie Rock Alphabet

    Klaxons – Link


    Indie Rock Alphabet

    Local Natives – Mp3


    Indie Rock Alphabet

    Memoryhouse – Mp3


    Indie Rock Alphabet

    The National – Mp3


    Indie Rock Alphabet

    Oneohtrix Point Never – Mp3


    Indie Rock Alphabet

    Owen Pallett – Mp3


    Indie Rock Alphabet

    Qua – Mp3


    Indie Rock Alphabet

    Real Estate – Mp3


    Indie Rock Alphabet

    Sufjan Stevens – Mp3


    Indie Rock Alphabet

    Twin Shadow – Mp3


    Indie Rock Alphabet

    Underworld – Mp3


    Indie Rock Alphabet

    Sharon Van Etten – Mp3


    Indie Rock Alphabet

    Kanye West – Mp3


    Indie Rock Alphabet

    Xiu Xiu – Mp3


    Indie Rock Alphabet

    Yeasayer – Mp3


    Indie Rock Alphabet

    Zola Jesus – Mp3


    Full Set

    Complete Alphabet. Download

  • Alexander “Truth” = Awesome!

    Alex Ebert, of Edward Sharpe and the Magnetic Zeros fame, has put out a (solo?) track exclusive to Sirius/XM’s radio channel XMU. It is called “Truth,” and it’s pretty damn amazing. The best quality of this track I could find was ironically on Youtube.

    “The truth is that I haven’t shook my shadow, and every day it’s trying to trick me into doing battle.”

    “Truth,” feels like a folksy Spaghetti Western track with soul and funk. It’s down-tempo but bad-ass at the same time, is that possible? I can’t stop listening, and I especially love the change-up right around the 2:30 mark of the track. Enjoy!

    “All my enemies are turning into my teachers.”

  • Review – Sharon Van Etten – “epic”

    Sharon Van Etten - epic

    Rating: 82%

    “I did one flub, but I don’t remember where.”

    So speaks Sharon Van Etten at the end of “One Day,” the second to last song on her sophomore LP, “epic”. This quote captures the essence of Sharon’s music perfectly, because I heard no such flub, and I’m betting neither did the producer who recorded that track. The thing is, Van Etten is not so much self-depreciating as she is self-critical. Her music may not possess the obsessive perfectionism of, say, a Grizzly Bear or The National album, but she is her own worst/best critic, and we feel the restraint even though it does nothing to harm her songwriting.

    After experiencing, and reviewing her first album, I wondered what an unrestrained, heart-healed Van Etten might sound like. On her second effort, I see flashes of that future, but you can rescue a person from heartache, but you can’t take the heartache out of a person. I paraphrase, but that’s the long and short of it, here. How’s about I try to actually speak about the album itself, and not my own metaphysical whatever-you-call-them…

    Like sleeping-in beneath an electric blanket on a chilly afternoon, Sharon Van Etten once again blesses us with seven stripped down tracks of varying shades of blue. In fairness, we are given two more spirited tracks up front before Van Etten retreats back under the sheets.

    Sharon Van Etten - "epic"

    This is comfort food for the soul, what some may call beautifully hopeless music making, though never random. And in Van Etten’s own words: “I’ll be fine with that.” Most of the runtime on “epic”, is spent ruminating on past heartbreak and laying plans for future prosperity. If we follow this chronology, we should look forward to her third album involving a new love, new hope, with occasional flashbacks to sadder times.

    As of right now, I’m just happy to be under the covers of more Van Etten music. I may be blissfully married with two beautiful baby girls, but that doesn’t stop me from escaping to the land of melancholic melody whenever I get the chance. If the music is soothing, unpretentious, and well-written, why should it make me sad?

    Vocally, I sensed an undercurrent of Ricky Lee Jones, but can’t pinpoint exactly why. Perhaps it’s the emotion of her delivery, the embrace of her quirky but voluminous voice. When “Don’t Do It,” began to play, I felt for a moment my iTunes had skipped to an old Songs:Ohia track, but then her whispering croon came in and I had to smile. It turned out to be my favorite track on the entire album, not surprisingly. The crescendo of this song and its bridges (and repeat climaxes) are true things of beauty. It is a pitch perfect journey through a more fully arranged Sharon Van Etten creation, and all I can say is: “We want more!”

    Sharon Van Etten - "epic"

    Sharon has brought her vocal prowess more to the foreground by creating a selection of songs that push her range a little further. I am beginning to think she is an even better vocalist than she demonstrates, here, however. That is not to say she sings poorly, but that there are moments on “epic” where you wonder how far she can soar if she unlatched the restraints of heartache and let go. I am no therapist, but this did feel like a “healing” album in a way.

    My second favorite track on the album has to be the lead song, “Crimes”. She is setting the compass for where she’s at in life. The song is about investing in a relationship that didn’t pay off, and how it would be a crime to ever be in love like that again. This album seems to depict that sentiment.

    Mp3. “Don’t Do It”
    Mp3. “A Crime”

  • Review – WOOM – “Muu’s Way”

    WOOM

    Rating: 70%

    Sara Magenheimer and Eben Portnoy holed up in a barn in Massachusetts in the dead of winter for two months, in what ended up being a bit of a musical cleanse. They went into the barn as Fertile Crescent and came out (re/unborn?) as Woom. The album I am reviewing is a product of this retreat. It is called “Muu’s Way.”

    How to describe Woom in a way that actually means anything? I’m so (un)happy you asked me that question. It’s scarcely worth doing a comprehensive sounds-like study here (though Deerhoof, The Acorn, and Cocorosie spring to mind), so in the spirit of the band and their style of songwriting, I’ll do it with a bit of poetic hyperbole:

    Imagine, if you will, a beautiful girl beckoning you to come closer. She has a secret, and she is so sweet looking you want to squeeze her. Your ear is close to her lips, you can feel her breath (it smells like mint leaves and sea breeze) and just as she’s about to coo something meaningful into your ear, a car horn blares, and the girl is gone.

    Okay here’s a simpler one: “Someone spiked my Shirley Temple,” I cried, “but I can’t stop drinking it. I don’t even drink!”

    WOOM

    Woom is a band who does a lot with negative space. So much so that I was surprised to discover the ten track album barely crossing the thirty minute mark. They have the clickety-clack thing down pat. They’ll tap a pencil on a plastic cup to create a percussion bed, no problemo. Sara and Eben run this show with their voices more often than not, after all. Leads and harmonies linger longer than the bleeps.

    The staccato nature of the songs also linger, for better or for worse. It is a bit of an anti-momentum LP which doesn’t allow you to let it fade into the background. Which is great if you don’t aren’t seeking full contentment. I personally like holistic experiences, however, and Woom certainly show their under-feathers more than once, giving me hope that this album is the beginning of a continued refinement.

    That’s not to say this is a train wreck by any means. But it’s a slippery slope. Cocorosie, for example, haven’t repeated their debut success to date. But with Woom, whenever the train is about to derail into an art college dorm room jam session, they bring us back. “OK… OK… OK…” we hear at one point, as if they knew they were misbehaving.

    As we meander through the album (and meander is the best word for it), we hear stories both poetic (“Circle on the surface, black blood on the white snow. It’s coming and coming and coming down, a strange style of voices.”) and literate (“Rafael, pull off the black balaclava. Put your ass down on the sofa. We’ll have some coffee and talk.”). It’s a mix I like, and this from a guy who doesn’t like mixed drinks (see above).

    WOOM

    Standout tracks include “Quetzalcoatl’s Hip,” a quirky, seaside hymn about bottled ships and burials including a steel cameo near the end. I can’t help but think the title has a bit of wordplay in and of itself.

    “Back In,” plays like an unplugged song The XX might have written if they stopped flirting with one another for more than two seconds.

    Lead track “Backwards Beach,” beaches us onto the sandy shore of Woom Island in a wash of electro-sea swells, only to land on a beach haunted by sunny, strummy jangles and palm trees swaying to a sing-song breeze.

    “Under Muu,” is a wonderful instrumental worth noting. It really reminded me of something The Acorn might have written and played, and I wouldn’t complain about an all-instrumental album from WOOM in this very tone; it’s excellence incarnate.

    “Judith,” ends the album on an experimental note, with bleeps and glass breaks held together by the vocals like a piece of perfume-scented scotch tape. With this closing track, Woom appropriately remind us (and themselves?) who they are, and most importantly who they are not.

    Personally, I do like them for who they are. But I want to love them for who they might become. We’ve reached a cruising altitude together, but are you equipped to take us out into space on our next expedition? Until then, I’ll sway and twitch to Woom’s sweet, strange take on music-making, and wander their melodic madness, one clickety-clack at a time.

    Mp3. “Back In”
    Mp3. “Quetzalcoatl’s Hip”

  • Sun-Up/Sun-Down Mix

    Sun-Up/Sun-Down

    “Sun-Up/Sun-Down” Mix

    It’s late in the Summer, I know, but if your hometown is anything like mine, it seems we’ll never see the Fall. So I put together a late-Summer mix, sequenced in such a way as to evoke a time of day evolution, from the dust motes swimming in the early morning shafts of sunlight, to the evening headlights commingling with a sky full of stars, and everything in-between.

    01. Cults Go Outside
    02. Marina and the Diamonds I Am Not a Robot
    03. School of Seven Bells Windstorm
    04. Soft Landing Baptism
    05. Ratatat Bare Feet
    06. The Books Beautiful People
    07. Wild Nothing Summer Holiday
    08. Mumford & Sons The Cave
    09. Local Natives World News
    10. Arcade Fire The Suburbs
    11. Active Child Weight of the World
    12. Phantogram As Far As I Can See

    Download Mixtape.

  • Beyond Beirut, a Soft Landing

    Soft Landing

    For those wondering when new Beirut material might bless your ears, fret not. Paul Collins, Beirut’s bassist has started a new project called Soft Landing. While on a break from touring with Beirut in Brazil, he stole fellow bandmate, accordionist Perrin Cloutier and a friend from college. They spent every waking moment while on break to write and practice.

    When all was said and done, they had enough material for an LP, which they recorded in Chicago with Griffin Rodriguez (frontman of Icy Demons). The album is due out this Fall on BaDaBing Records (Beirut, Shearwater, Sharon Von Etten, Damon & Naomi, WOOM, etc.).

    I’m happy to share a track from that album with you here. It’s called “Baptism,” and it’s good.

    “Baptism” – Mp3

    In just one song, we discover a sound very distinct from Condon’s, though not a world apart by any means. There is still an infatuation with international sounds, wide influences, infectious songwriting. They enjoy their instruments and play them well. The music, the writing, it is for real, not extra-cirricular. The music swells and simmers, drums roll forward fervently, guitars wash over us, and everything just feels easy breezy.

    Collins holds his own as frontman here, too, though his vim and conviction as bassist for Beirut makes this no surprise. Vocally, I’m reminded a touch of Goeff Farina of Karate fame, which is a good thing. Slightly flat notes (on purpose!) and a quasi-croon floating with an injured wing over the compositional gaps are welcome and distinctive. I like it. Do you?

    If this first song is any indication, their self-titled debut should stand on its own in the way Daniel Rossen’s Department of Eagles project succeeded a couple years back. The question will be whether Soft Landing can keep up this prolificness while double dipping in two active bands. I’m sure several multi-act independent artists wish cloning were commonplace, then they could tour in two places at the same time. Imagine that!

    Tour Dates:

    July 14th – The Rock Shop, Brooklyn

    July 23rd – Denver Biennial, Denver

    July 30th – Bruar Falls, Brooklyn

  • Musical Musings…

    Musical Musings...

    Memoryhouse
    “The Years”
    Mp3. “Lately”

    If Zooey Deschanel made morning music with Stars of the Lid before she had her first cup of coffee, and she sang without that subtle-but-evident hipster irony I have come to associate with She & Him, you’d have a rough idea of what Memoryhouse sounds like. Of course, they are also totally better than that cheesy metaphor. Wait. What?

    Mumford & Sons
    “Sigh No More”
    Mp3. “The Cave”

    It’s as though Fanfarlo hired Ricky Skaggs to run back up, and Amy Grant helped with some of the writing (to get the “Faith” bits just right). Of course, this melange sounds awesome, and if you can tolerate (and appreciate) the bluegrass undercurrents, then you’ll enjoy this band. Oh, and they’re not from America! Is that a bonus? I don’t know.

    JBM
    “Not Even In July”
    Mp3. “Cleo’s Song”

    Imagine Jose Gonzales and Jim James had a baby (it can happen, ask Devito and Schwarzenegger), and this child was raised on Great Lake Swimmers (before they left the silo). The haunting melodies and tragic undercurrent somehow makes this even better than that.

    Local Natives
    “Gorilla Manor”
    Mp3. “World News”

    A new kind of anthem band. This one eschews instrumentation in favor of barbershop harmonies and mixes mundane lyricism (“The lane next over’s always faster”) with profound delivery (see “Who Knows Who Cares”) to create one of my favorite albums this year.

    Josh Ritter
    “So Runs the World Away”
    Mp3. “The Curse”

    If Joanna Newsom leased out her patent on wordy songwriting, you’d have two of the tracks from Josh Ritter’s latest album figured out. If you made one of them about a mummy who falls in love with a female paleontologist (“The Curse”), and the other about a Christopher Columbus type searching for a paradise in Antarctica, well then you’d have discovered two of the best songs this year.

    The National
    “High Violet”
    Mp3. “Conversation 16”

    Pretend you combined all of the previous albums by The National, set the blender to low, then poured your concoction into a drinking glass that was shinier than the one you drank your morning milk in. Oh, and if a close listen to “Vanderlyle Crybaby Geeks,” doesn’t make you a wee bit weepy, you’re inhuman (subhuman?).

  • Owen Pallett & Christopher Cross

    Christopher Cross and Michael MacDonald perform “Ride Like the Wind,” together live in 1998. Michael MacDonald covers “While You Wait For the Others,” by Grizzly Bear. Owen Pallett opens for Grizzly Bear at BAM in 2009. Owen Pallett sounds an awful lot like Christopher Cross. I’m… Just… Saying…

  • The Indie Music Alphabet 2009!!

    Because I am a glutton for punishment, and still determined to put out a list unlike the rest of the year-enders out there, I bring you the 2nd Annual Indie Rock Alphabet. Despite what some people might tell you, I count 2009 to have been a great year for independent music. We are seeing the major labels crumble all around us, and the indie labels rise up through the new channels like Myspace, Facebook, Twitter, iTunes and eMusic.

    A note about this list, for those who weren’t around last year to read the first one. This is not (cannot) be the top 26 bands of the year. No, rather, consider this a collection of twenty-six Top 2 lists (I’ve added a Runner-Ups this year as a bonus), one for each letter.

    My alphabet would like to give a special thanks to DJ Quik, who put out a decent album with a couple very standout tracks. And also to The XX, who swooped down like an angel from the sky when I discovered that xiu xiu would not, in fact, be putting out an LP this year. And of course a warm thank you to Zaza, who made a short but great album to close out the list.

    I personally would like to thank Leo Reynolds, who has allowed me to use his vast collection of found letters from his Flickr page. I recommend checking out his collections when you have a chance.

    One final note, at the bottom of the alphabet you will find links to all of the songs from the list in two handy volumes.

    So without further ado, here is the list…


    Indie Rock Alphabet

    Animal Collective – Mp3

    Not putting Animal Collective on my list would be like betting against the Chicago Bulls to win the championship in the 90’s. “Merriweather Post Pavilion,” was one of the best albums of the year. Period. And their follow-up EP, “Fall Be Kind,” was better than 90% of the LP’s put out this year to boot. Animal Collective are in this bizarre situation where, instead of over-thinking how they are going to outdo themselves, they simply continue to polish and refine the sound which put them on the map to begin with.

    Runner-Up: The Antlers – Mp3


    Indie Rock Alphabet

    Bat For Lashes – Mp3

    “Two Suns,” Bat for Lashes’ sophomore album, is in many ways just as good as her debut, “Fur and Gold,” and in a few ways even better. As I loved 4AD at their apex, and 25% of Björk’s music, I love Bat for Lashes. Her music transports me to a damp, misty jungle where an evil temptress prowls beneath the  unseen. There is a confidence this time around which suits her style of music well. You can hear it on the first notes of the first track, where she gives Lisa Gerrard and Kate Bush a run for their money as music’s most hauntingly angelic vocalist.

    Runner-Up: Beirut – Mp3


    Indie Rock Alphabet

    Neko Case – Mp3

    Why not keep it rolling with another great female vocalist? Neko Case, who you might know from the New Pornographers. Or maybe not. In any case, she has released “Middle Cyclone,” this year, a great follow-up to what I consider her strongest album, “Fox Confessor Brings the Flood.” She keeps pace with the latter, invoking the same effortless melodies, the same signature nasally croon over top well-composed music. Her songs are confessionals, as evidenced in the opening track “This Tornado Loves You,” which includes lines like: “I have waited with a glacier’s patience, smashed every transformer with every trailer ’til nothing was standing… sixty-five miles wide.”

    Runner-Up: Bill Callahan – Mp3


    Indie Rock Alphabet

    Alela Diane – Mp3

    Alela Diane doesn’t do anything fancy; she just does what she does, and she does it well. Unlike other singer/songwriters who are usually stronger at the one or the other, Diane puts the two together in perfect accord. On “To Be Still,” Diane delivers her crystalline vocals in their most haunted capacity — like an off-key harp in an empty ballroom — and sings lines like: “The sea beneath the cliff is the blue in my mother’s eyes that came from the blue in her mother’s eyes,” effortlessly. I’m also a sucker for acoustic guitar, violin, and yodeling coming together to form a spooky set of murder-folk laments.

    Runner-Up: Dan Deacon – Mp3


    Indie Rock Alphabet

    Espers – Mp3

    With “III,” their fourth LP, Espers takes us to a forgotten time, when magistrates would bring thieves before the king to receive their punishment, when bards and court jesters danced merrily about, when queens wrought devious plans to overthrow their own husbands. But I digress. Somehow, Espers manage to do this almost entirely through the vocal stylings of Meg Baird and Greg Weeks. I remember The Decemberists trying to evoke a medieval epic feeling on their “Tain,” EP, but when compared to Espers that album was but a Renaissance Faire to Espers’ War of the Roses.

    Runner-Up: El Goodo – Mp3


    Indie Rock Alphabet

    Fanfarlo – Mp3

    I fell in love with Fanfarlo earlier this year (see previous post), and haven’t grown tired of their album ever since. It took most of this year for their debut LP, “Reservoir,” to “catch on” (they were a big hit at SXSW this year, so I hear), but they are finally starting to get the credit they deserve. On first blush, you can cite a dozen or more influences (Radiohead, Arcade Fire, Coldplay, Beirut, etc.) but these similarities are a product of zeitgeist rather than derivation. When you put together their sweeping movements, vivid storytelling, and minor-key harmonies, they become something more sincere than secondary.

    Runner-Up: Fever Ray – Mp3


    Indie Rock Alphabet

    Grizzly Bear – Mp3

    Perhaps the most anticipated and subsequently acclaimed album of 2009, Grizzly Bear’s, “Veckatimest” (I lost count of how many people I have heard correcting others on the pronunciation of this word) is an amazing piece of song craftsmanship. I use that word because every note, every syllable is right where it needs to be, the harmonies refined to the point of androgyny, each instrument chosen and tuned with the precision of a scientist at CERN. But no matter how spit-shined their songs end up, the magic of the song’s original intent is never lost, only enhanced. That’s a rare gift, and it’s why Ed, Daniel, Chris and Chris have made one of the best albums of the year.

    Runner-Up: Girls – Mp3


    Indie Rock Alphabet

    Richard Hawley – Mp3

    Of all the male singers actively recording music, Richard Hawley has the best croon of them all. Jonathan Meiburg may win out in the upper register, Thom Yorke might emote more angelically, but Hawley is quite simply the deserving heir to Sinatra and Bacharach, no question. The difference between Hawley and his contemporaries, however, is that Hawley used to play guitar for Pulp, and is also an amazing composer. If you don’t believe me, check out the slow build and epic sweep of “Soldier On,” from his latest LP, “Truelove’s Gutter.”

    Runner-Up: Holopaw – Mp3


    Indie Rock Alphabet

    Islands – Mp3

    Islands manage to take everything I like about Of Montreal and refine it into something less esoteric yet more memorable. Listening to Islands is like eating a Jolly Rancher, no matter how long you turn it over in your mouth, the flavor never dies. Their follow-up LP, “Vapours,” is chock full of catchy tunes and worth-while hooks and melodies. While a little more pop/dance than their former band, Unicorns, Islands are no less diverse and catchy.

    Runner-Up: Iron & Wine – Mp3


    Indie Rock Alphabet

    jj – Mp3

    Vampire Weekend, eat your heart out. Alaska in Winter, take note. jj burst on the scene this year with little-to-no introduction, and at this point, other music investigators have gleaned little more than their record label and their alleged names. In a strange way, I almost prefer it this way. Their debut LP, “jj n° 2,” is only 26 minutes long, but they manage to take us from the African savannah to the Caribbean shoreline without ever leaving the keyboards in their bedroom.

    Runner-Up: Jóhann Jóhannsson – Mp3


    Indie Rock Alphabet

    Kronos Quartet – Mp3

    This string quartet have been recording music since 1973. Most readers will probably recognize them most recently by their contribution to the“Dark Was the Night,” compilation this year. Their brand of orchestration traverses genres like international flight attendants, but their latest album, “Floodplain,” is something a bit different. “Floodplains,” was created as an homage the cultures who dwell in “areas surrounded by water and prone to catastrophic flooding,” in collaboration with different musicians from around the world. From Serbia to Egypt, from Lebanon to Ethiopia, the songs are as diverse as they are marvelous to experience.

    Runner-Up: Knight School – Mp3


    Indie Rock Alphabet

    Land of Talk – Mp3

    Justin Vernon (of Bon Iver) produced “Some Are Lakes,” Land of Talk’s debut LP. Whether or not we owe this to Vernon alone is unlikely, but I certainly don’t think his presence could have hurt. You can certainly hear some of his balladry skills on slower songs like “It’s Okay.” Before this LP, I didn’t really know much about Land of Talk. But after “Some Are Lakes,” I have to mention them in the same breath as bands like Rosebuds, Rilo Kiley, Stars, even a little Delgados in there.

    Runner-Up: Jason Lytle – Mp3


    Indie Rock Alphabet

    The Middle East – Mp3

    The only bad thing about The Middle East’s self-titled LP is how long it took me to discover it. When I had heard “Blood,” on the radio one afternoon, I realized at once that I was discovering one of the most promising bands of 2009. This Australian foursome sing their bedroom lullabies from the cliffs of an angry sea. At times quiet singer/songwriter, other times soaring ambience like Sigur Rós, and yet other times capable of Explosions in the Sky type intensity. But those characteristics — along with a falsetto that would make Jeremy Enigk shed a prideful tear — are the things which set The Middle East apart from 90% of their peers.

    Runner-Up: Cass McCombs – Mp3


    Indie Rock Alphabet

    Marissa Nadler – Mp3

    Marissa Nadler has returned in 2009 with ten more songs of unforgettable melancholy on her fourth album, “Little Hells.” The gothic, snowy cemetary stylings are still there, in all their murderous wonder. While she hasn’t strayed far from what gained her notoriety, Nadler still manages to embellish her voice and guitar with organs, adding weight to her otherworldly elegies. I can always listen to Marissa Nadler, regardless of time of day, mood, or shirt color.

    Runner-Up: Neil On Impression – Mp3


    Indie Rock Alphabet

    Other Lives – Mp3

    Any time you can fuse the allure of Brit Pop with the best instrument ever made: the piano, you know you have a recipe for success. Other Lives self-titled LP sounds like what might happen if Rufus Wainwright and Danny McNamara of Embrace came together and made an album. Every song is woven together with the grace and beauty of the former, and the minor-key earnestness of the latter. “Black Tables,” might be the most beautifully somber song I’ve heard all year: Right up there with The Middle East.

    Runner-Up: Old Jerusalem – Mp3


    Indie Rock Alphabet

    Phantogram – Mp3

    I really had Portugal. The Man, as my pick for “P” going into the end of the year, but then I was introduced to Phantogram by a friend. This album is the perfect answer to my affinity for “sad bastard music,” as others have so eloquently put it. The reason it’s perfect is that the hint of melancholy persists under the funky basslines, angelic vocals, and crispy break beats. This is a rock album by definition, but plays like more of a melange in practice. The whole album exists within its own microcosm, and when you play it from beginning to end, it feels you’ve been taken inside the band’s psyche and spit out on the side of the road on a rainy night.

    Runner-Up: Portugal. The Man – Mp3


    Indie Rock Alphabet

    DJ Quik and Kurupt – Mp3

    One of the best West Coast “Rap” songs ever made was DJ Quik’s “Tonite.” I think he was something like 19 at the time. Kurupt, when he emerged on Dr. Dre’s “The Chronic,” in 1992 as part of Snoop’s Dogg Pound, was the West Coast’s answer to Inspectah Deck. These two coming together trumps Muggs and Gza from a couple years back, and while I haven’t found a West Coast rap album I’ve liked from start to finish since… well… “The Chronic,” there are indeed enough solid tracks on “BlaQKout,” to warrant a “Q” slot.

    Runner-Up: Quiet Village – Mp3


    Indie Rock Alphabet

    Raekwon – Mp3

    I remember that first video from Wu Tang Clan in 1993 (“Protect Ya Neck”) like it was yesterday. More than a dozen of the baddest looking rappers I’d ever seen were mugging the camera, some hooded, some masked, some with a mouthful of gold teeth. The music was “hard” in the sense that you felt like a bad-ass just rapping along, trying to guess who was who. Wu Tang have since become musical legends, and Raekwon is one of the few members who has had a critically acclaimed solo career with any consistency. Which is a shame, because my favorite member, Inspectah Deck, cannot claim the same accomplishment. Never fear, for the song I’ve chosen from “Only Built for Cuban Linx II” includes a memorable verse from the Rebel INS himself, taking us back to the grimy streets of Staten Island.

    Runner-Up: Real Estate – Mp3


    Indie Rock Alphabet

    Sunset Rubdown – Mp3

    The grandmaster of melodrama is at it again; Spencer Krug (who released albums with Sunset Rubdown and Swan Lake this year) continues adding to his repertoire of one-of-a-kind Shakesperean Anthems. His voice isn’t for everybody, but for me it really adds to the baroque and off-kilter presence his songs tend to have. You never know where his music is going to take you. You may start out under the impression you are listening to an 8-bit laptop folk song and wind up in the middle of a palatial indie opera complete with crashing cymbals, chaotic keyoards, lavish harmonies and soaring guitars. That’s just the charm of Krug, and with Sunset Rubdown he remains the central figure from start to finish, just the way I like it.

    Runner-Up: Surfer Blood – Mp3


    Indie Rock Alphabet

    The Twilight Sad – Mp3

    God, this album is good. I’ve never been to Scotland, but after a good listen to The Twilight Sad’s sophomore LP, “Forget the Night Ahead,” I feel like I’ve walked beneath its overcast skies, crossed its rocky hillocks, wended my way through its gnarled forests. What is most impressive about these guys is that—regardless of how messy and distorted the electric guitars get—there is an underlying cohesion which holds up against the very best rock anthems. This is a compliment of the highest order, and if anybody writes The Twilight Sad off as post-rockers with funny accents, you’ll know they haven’t actually listened to their albums.

    Runner-Up: Tiny Vipers – Mp3


    Indie Rock Alphabet

    Uninhabitable Mansions – Mp3

    Here was a case where I discovered the band on my quest for a viable “U” candidate. U.N.K.L.E. hadn’t put out any material (and frankly, I haven’t enjoyed an U.N.K.L.E. record in some time), and the Unicorns are still broken up (but at least we have Islands, see above). Fortunately, Uninhabitable Mansions appeared just in time. Their album, “Nature is a Taker,” is chock full of jangle pop of the sunniest disposition, enough to make The Magic Numbers proud. Their sound falls somewhere betwen Beach Boys, Pavement and Buddy Holly; but you be the judge.

    Runner-Up: UUVVWWX – Mp3


    Indie Rock Alphabet

    Volcano Choir – Mp3

    There’s that pesky Justin Vernon again. He shows up in the strangest of places, always wearing that amicable Midwestern smile, always making unique and beautiful music. This time he’s partnered with fellow Wisconsinites, Collection of Colonies of Bees, under their collective moniker Volcano Choir, and the results are unexpectedly astounding. After “For Emma, Forever Ago,” it may have seemed a stretch to pair Vernon’s songwriting and song-playing with experimental electronica. But what he hinted at on his “Blood Bank,” was only but a snippet of the success to be discovered on Volcano Choir’s debut album, “Unmap.”

    Runner-Up: Sharon Van Etten – Mp3


    Indie Rock Alphabet

    Wild Beasts – Mp3

    I had heard a song from Wild Beasts earlier this year, before getting my hands on their full-length release, “Two Dancers.” And while I thought the song itself was pretty cool, I was not prepared for the baroque, flamboyant, intense, melodramatic, and confident display of this LP. Just about every song on this album is a full-on experience to be remembered. Like some of my favorite bands (see Sunset Rubdown, above), Wild Beasts put many of their songs together as multi-part movements. We soar and we dive, we hoot and we howl, and we love every twist and turn. Hayden Thorpe’s voice is unlike any I have heard before. Highly recommended stuff.

    Runner-Up: Women – Mp3


    Indie Rock Alphabet

    The XX – Mp3

    You don’t need me to say it, but for a someone who has taken on the challenge of putting together an Indie Alphabet for the second straight year, having a band with the letter X in its name is as sought after as a Park Place sticker at McDonald’s during Monopoly month. But for that band to have two X’s in a row—and to also be one of the best bands on the entire list—well that’s just divine intervention. This male/female duo sing lazy verses over tightly produced tracks with the care-free confidence of Massive Attack in their hey-day. Like two star-crossed lovers breaking up then falling in love all over again, XX keep us transfixed at the spectacle of themselves. And it hurts so good.

    Runner-Up: Xylos – Mp3


    Indie Rock Alphabet

    YACHT – Mp3

    On paper this album shouldn’t appeal to me: off-key singing over strange 80’s post-industrial synth pop; tried and tired vocal distortions and samples; and the occasional techno beat for good measure. But what you don’t get in words you can certainly hear on their album, “See Mystery Lights.” The very quirks and oddities which shouldn’t go together somehow work. And to bluntly summarize: this album is damn good!

    Runner-Up: Yo La Tengo – Mp3


    Indie Rock Alphabet

    Zaza – Mp3

    We’ve made it to the letter “Z” at last. And a fine note to end our journey on. Zaza have only just begun putting out material, but already you can feel their knack for rich orchestrations and opium den atmosphere. Their album, “Cameo,” emits a lush ambience from start to finish; drums, vocals, organs and guitars melt into one, and everything seeps into your skin like a local anesthetic. In short: achingly hypnotic music to send you into a trancelike state until the next Indie Alphabet comes along.

    Runner-Up: Zola Jesus – Mp3


    Volume I. Download
    Volume II. Download

  • Review – Twilight City Fracture – “Exist”

    Twilight City Fracture - "Exist"

    Rating: 74%

    If there was such a thing as post-hardcore shoegaze, Twilight City Fracture certainly would fit the bill. Their latest EP, “Exist,” is drowned in nostalgia yet works at carving out a relevance all its own. To grossly oversimplify their sound, think somewhere between Pat Benatar’s “Love is a Battlefield,” and Jawbreaker’s “Oh Dear.” “Dear You.”

    Regardless of whether that comparison frightened or excited you, I recommend giving these guys a good listen, because they have me convinced that I should rise up and fight against the daily oppression of my relatively sheltered life.

    I used Benatar because somehow Twilight’s sound manages to transport me to those fake late-80’s Hollywood city sets, where hipsters (before they were called hipsters) would dance around the lead singer at night, for no apparent reason, celebrating their suburban liberation around flaming trash cans and abandoned shopping carts. After the first couple of listens, I immediately wanted to go and watch Lost Boys and Toy Soldiers back-to-back, but I decided to write this review instead.

    As far as I can tell, Twilight City Fracture are a local band from Lacey Township, New Jersey, who are gaining some notoriety. “Exist,” was put together with veteran producer Jesse Cannon (Saves the Day, The Cure, Tiger Mountain), and I have to say, the sound is tight and consistent across each of these five tracks. Special props go out to the clever use of guitar, sometimes eliciting a punk rock vibe, while other times transporting me into the cosmos where I watch down upon a post-apocalyptic Earth in ruins.

    Twilight City Fracture - "Exist"

    If I dig beneath the fuzzy electric guitars and crashy percussion, I can glimpse other influences as well. The way they put harmonies together seem to break that post-hardcore mold enough to earn a shoegaze or dream pop subtitle. More Twilight Sad than Grizzly Bear, though; more Mogwai than Sigur Rós.

    The lead off track, “Edward”, plays like an anthem for the thirty-something broken-hearted. A rally cry intended to soothe the inner gen-exer in us all. Before the guitar kicks in in the first few seconds, I thought I had accidentally hit play on the latest Arms & Sleepers album. “Legend on Louisiana,” rises and falls like a stormy sea, and has a spacey undercurrent running through its veins to allure the non Jets to Brazil regime.

    Wrestling the proverbial inner-demon while channeling those feelings in the form of borderline over-emotive music seems to be Twilight’s mainstay on this album. They tread a thin wire, however, and flashes of the trite slip in here and there. Lines like “maybe wonder why the media has your mind turned upside down,” feel more like Fall Out Boy excerpts than something substantial. Others, such as “I’ve seen through the devil’s eyes and I’m going blind,” are too literal to be taken seriously. If they can forego some of this blatancy in favor of something a little more abstract and poetic, I can see these guys gaining even more of a following.

    There is a collective “WE” spanning these songs which only reinforces that collective angst I was mentioning earlier. But instead of “we belong to the night,” here you have “we look out for the signs,” and “we’ve been in this world with only red’s and blue’s,” and “we’ve been lost in the catacombs in our heads.”

    To get a better idea of the band’s evolution, I snuck around the Information Superhighway™ and found a couple of older demos from these guys… and I have to say, I’m really glad they eschewed that conformist, proto-screamo sound in favor of this post-hardcore shoegaze genre I’ve invented for them. There might not be something for everyone, but their reach definitely seems wide enough now to garner the interest of a larger nucleus, myself included.

    Mp3. “Edward”
    Mp3. “Legend on Louisiana”

  • Gimli Son of Corvus Son of Corax

    A Lord of the Rings tribute band? A new Cirque du Soleil troupe? A Weird Science after party? The best Renaissance Faire ever? Kiss’s “new thing”? Or just pure awesomeness? Meet Corvus Corax.

    Corvus Corax

  • Sun Sets on the World’s Tallest Man

    Watch the progression from one song to the next; as the sun sets on a wintery shoreline; as the singer’s face fades into silhouette. Enjoy the forlorn guitar. Listen closely to the eerie, effortless lyrics. Walk away with a haunted, inspired feeling in your belly.

    Thanks to KA-POW! for pointing this out.

  • Timber Timbre

    Timber Timbre

    Tindersticks + Devendra Banhart + M. Ward + Better =
    Timber Timbre.

    I love this band. They are seriously contending with The Twilight Sad for letter “T” in my 2009 Indie Rock Alphabet. It’s getting vicious already; if you don’t believe me, just ask St. Vincent and Sunset Rubdown.

    Here are a few Timber Timbre videos for your aural enjoyment…

    Timber Timbre – “We’ll Find Out”

    Watch on Vimeo

    Timber Timbre – “Demon Host”

    Watch on Vimeo

    Timber Timbre – “Oh Messiah”

  • ORYAN. New Paltzers FTW!

    ORYAN

    A very cool album cover, if I do say so myself. One of the coolest, I imagine.

    Oryan are a self-proclaimed four piece folk/rock band from upstate New York. As a “Ryan” myself, I thought it worth sharing this band with you, a band which is helmed by Ryan Megan and Ryan Schoonmaker (there is a third Ryan in the mix, Ryan McCann, which makes one feel almost sorry for Adam Gosney, the fourth and only non “Ryan” in the band).

    The lead singer Ryan Megan has a lazy, three-beers type of baritone with just enough gravel in his voice to keep things interesting. As a guy from New York (unless I have this wrong), I wondered where this heavy drawl came from. He slurs his scenes between staccato drums and fuzzy guitars, and the hints of Tom Waits are undeniable. But the songs themselves (while at times benign and others down-right offensive) benefit from an interesting bar-room country meets traditional folk blend.

    I caught some faint yet pleasant Mark Eitzel undertones in lead-off track “The Ride,” and liked the partly sunny tones of “Goodbye,” as much as I disliked the disturbing “If Milbrook Got a Taco Bell.” “Helvetica,” is another nice track which starts out like something you might hear on any old decent country rock album but quickly evolves into something else once Ryan Megan’s vocals kick in.

    There are some nice guitar and drum solos throughout, and you can see how the first two Ryan’s got their start just jamming together. Not sure I would put them in league with Deer Tick or Kings of Leon, but one could see where they may fit as the evil, outlandish step-brothers perhaps.

    But with occasional, unforgivable lyrics such as: “If Millbrook got a Taco Bell / all the Arabs and Jews would make out / White folks would stop being scared of the blacks / And all the queers would feel free to come out,” I can’t help but wonder if there’s a joke here and I’m just missing it.

    Stream album (at your own risk).

  • Dead Man’s Bones

    Dead Man's Bones

    Ryan Gosling and cohort Zach Shields have formed a band. It is called Dead Man’s Bones and their self-titled debut sounds something like Patrick Wolf on quaaludes. Or like Black Heart Procession on speed. Or both.

    However, there is something interesting about a prim and proper (see The Notebook) and talented (see Fracture) actor joining forces with his long-time friend to make such a macabre, off-kilter album like this. Although I suppose he was the star in the twisted Lars and the Real Girl, so perhaps this shouldn’t be so suprising.

    Much of the LP consists of sloppily played instruments arranged in catchy yet morose ways. There are the occasional up-tempo moments, but it is the eerily-choral murder ballad which serves as the album’s mantlepiece time and again.

    It is the omnipresence of a zombie-like children’s choir, however, singing lines like: “Like a lamb to the slaughter, buried in water,” and “My body’s a zombie for you,” that raised my eyebrows with intrigue. It only helps to see press materials of this children’s choir dressed like an army of Charles Manson’s children going out to accost the neighborhood in their Halloween costumes (see above).

    Perhaps this album represents the way Gosling remembers his time spent at the Mickey Mouse Club as a child? I would completely get it if that was the case.

    Enjoy this Youtube clip, and check out their Myspace page to get a tasty preview of what should be a fairly successful debut offering.

  • A. Bird in a Church.

    Here are a couple of reasons why Andrew Bird deserves three or four times more respect than he thus far has received. We have our preconceptions of one man bands, guys with harmonicas rigged in front of their faces, holding accordions and guitars strapped across their backs, maybe some foot controlled drums.

    But this is a different kind of one-man band. This one is a classically trained, obscure lyricist, premiere whistler and a helluva composer it seems.

    Enjoy!

    P.S. Apologies in advance for the advertisements. Not my doing.

    Legacy Flash video removed. See surrounding links in this post.

    Legacy Flash video removed. See surrounding links in this post.

  • Review – Magnolia Electric Co. – “Josephine”

    Magnolia Electric Co. "Josephine"

    Rating: 61%

    Josephine, the latest offering from Magnolia Electric Co., a band who – when all pistons are firing – are quite hard to criticize, sounds more like an album they might play in the background while writing a Magnolia Electric Co. album. Jason Molina has thrown away more songs than most of his contemporaries have recorded, and may quite possibly be one of the most prolific artists making music today. But is that enough to hold this album together?

    At fourteen tracks nearly identical in tempo, structure, meaning and arrangement, Josephine simply goes on for too long. We roll slowly toward the fourth track (“Shenandoah”) and can’t help but wonder whether this will be the slow and painful death it appears it might be. Our fears are realized six songs later, when “Little Sad Eyes,” uses a brush kit and a forgettable melody one too many times; even the funky organ can’t save this one from the mundane. The reimagined, previously released track, “Shiloh,” rolls by, but by this point I fear the album has already slipped between our fingers like a plume of beach sand.

    Magnolia Electric Co. "Josephine"

    Long gone are the maps of old horizons. Gone are the ghosts they used to ride around with. There are no arrows to pierce our chestnut hearts. And the black rams? All but extinct. John Henry? Nowhere in sight. This whole place used to be dark, now it’s just a dimly lit elevator to purgatory, and the elevator’s just broken down. I want my slide guitar back, Molina. I want the guest vocals, the country swagger. I want the timeless, classic, tragically perfect songs to resurface from the dust and rubble. I want to sing in the shower to a new Magnolia Electric Co. song.

    The album is not without its moments, I guess. The opening track, “O! Grace,” not only scores points for including the namesake of my daughter, it’s a promising opener to the album as well; a false prophecy as it turns out, but you get the feeling there is a band at work here, even if for a fleeting moment. “Rock of Ages,” the very next track, takes us to another place and time, harkening back to the sock hops and doo-wops of yesteryear. But at 2:43, one almost wonders if this band is intentionally trying to keep their charms up their sleeves. There is a pleasant roll and drive to “The Handing Down,” where an electric guitar is allowed to come out and play alongside Molina’s crooning, pleading warble. We can feel it, and it works. Why can’t we feel things more frequently?

    Molina has mentioned the importance of recording this album. It is an implied album of healing, a chance to confront the unexpected death of original bassist Evan Farrell. I only wish that import transcended the personal meaning, so that we could all lament and heal and rejoice as one. Instead, the album seems more interested in apathy and self-depreciation than with paying triumphant tribute.

    While describing a bit of the album’s inspiration, Molina also promised more output in the coming months, and as he is one of my favorite artists currently making music, I will only hope the future delivers on his band’s promise to create more great tunes. Until then, I have about 150 other Molina tracks to keep on repeat. Life isn’t all that uninspired after all.

    Mp3. “O! Grace”
    Mp3. “The Handing Down”
    Mp3. “Rock of Ages”

  • Johan Lippowitz w/Natalie Imbruglia

    Caveat: It is well established that he does his guitar slides backwards, and it’s well commented on as well. Just a heads up.

  • New Fleet Foxes: “Blue Spotted Tail”

    Robin Pecknold of Fleet Foxes

    As we all sit on pins and needles now that Robin Pecknold has cut his hair, trimmed his beard and abandoned his Twitter account, signs that he may have made a wise decision begin to emerge, as demonstrated by this brand new—unaccompanied—Fleet Foxes studio performance for the BBC6.

    The song is tentatively called “Blue Spotted Tail,” and even on his own—without the Josh, Casey, Skylar or Christian to wash it with harmonies and echoed instrumentation—the band looks poised to deliver on last year’s promise of continued greatness.

    The song itself is a calm, introspective affair, tasked more with asking questions than sharing wisdom. See “Why is life made only for to end?” or “Why in the night sky are the lights on?” as exhibit’s A and B. The way Robin moves from major to minor notes—both with his guitar and with his voice—harkens to the great folk of yesteryear, going back to Joan Baez and Bob Dylan, and Woody Guthrie and Pete Seeger before them.

    This is timeless music, the hardest kind to make, the best kind to hear.

    Mp3. “Blue Spotted Tail”

  • Best Album Title of 2009

    Snowglobe "No Need to Light a Night Light on a Night Like Tonight"

    “No Need to Light a Night Light on a Night Like Tonight”
    by Snowglobe.

    Mp3. “Nothing I Can Do”
    Mp3. “Ms. June”